Bücher Kostenlos Three Month Fever: The Andrew Cunanan Story (Semiotext(e) Native Agents), by Gary Indiana
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Three Month Fever: The Andrew Cunanan Story (Semiotext(e) Native Agents), by Gary Indiana
Bücher Kostenlos Three Month Fever: The Andrew Cunanan Story (Semiotext(e) Native Agents), by Gary Indiana
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Über den Autor und weitere Mitwirkende
Gary Indiana is a novelist, playwright, critic, essayist, filmmaker, and artist. Hailed by the Guardian as "one of the most important chroniclers of the modern psyche," and by the Observer as "one of the most woefully underappreciated writers of the last 30 years," he published a memoir, I Can Give You Anything But Love, in 2015. He is also the author of Three Month Fever: The Andrew Cunanan Story and Resentment: A Comedy (both published by Semiotex(e)).
Produktinformation
Taschenbuch: 320 Seiten
Verlag: SEMIOTEXTE; Auflage: Reprint (5. Mai 2017)
Sprache: Englisch
ISBN-10: 1584351985
ISBN-13: 978-1584351986
Vom Hersteller empfohlenes Alter: Ab 18 Jahren
Größe und/oder Gewicht:
15,2 x 2,2 x 22,9 cm
Durchschnittliche Kundenbewertung:
3.2 von 5 Sternen
10 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 747.146 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Harper Collins, a serious publishing house, needs to examine it's willingness to publish Gary Indiana's 'Three Month Fever' as non-fiction. While following the factual time-line of Andrew Cunanan's life and killing spree, most of this work is that of the author's imagination.Indiana claims in his introduction that he is rewriting the rules of non-fiction. He sounds like he is embarking on a new genre of non-fiction. At the outset, he acknowledges that he freely uses surmise and doesn't follow the rules of journalistic objectivity -- essentially self reporting that he is a fiction writer. If he believes otherwise, I think any recognition or emulation of this kind of new non-fiction writing will be a long time in coming -- likely never.The author has no way of climbing inside the places and the minds of those involved in these events to write the story as he did - as if a witness and in their thoughts and voices.Indiana needs to recognize that he is a fiction writer and stick to that genre. It least is more honest that his self-described trailblasing effort at a new form of true crime story.Harper Collins should seriously consider how this book is cataloged in the Library of Congress registration when it comes to new editions, or the paperback version.As to Indiana's story, it's readable. It's as much as we already knew and as much as anyone can guess in hindsight. In the Minnesota events, Indiana's research is so poor that there are at least ten errors in routes and names of places and other factual and checkable information.Since Andrew Cunanan ended his own life after claiming the lives of five others, we will never know the real story of what was going on in his mind and body.My own belief is that Andrew Cunanan was a very intelligent, yet pathetic individual. Here was an individual who created his own fictive life and sold his body for cash. When people started getting tired of his stories, when he ran out of money and when he could not longer rely on his looks, I believe Andrew realized on some level that he was an adult nobody. He was intelligent enough to know that he was a person who had wasted many years living a fantasy life. Now he had no real identity and he didn't have anything to fall back on to create a realistic and rewarding life.I believe Andrew likely crossed a line into mental illness as his sub-conscious came to the surface with this reality. Too selfish and perhaps too mentally ill to recognize that the party was over and that he had to build a life, he instead grasped at straws in the manner he had lived his life. He discovered there was no lifesaver out there. Only he could save himself from his desolation. By this time, he was might have been too lazy, or too selfish, or too sick to start a real life for the very first time in his life.His motivation for the killings -- again my view -- was simply a selfish little boy who instead of acknowledging his own self-created fradulent life -- lashed out of the world and took lives so he would at least be remembered for something. Could this have been avoided? Perhaps. If the enablers surrounding Andrew stopped and were honest with him and held him up on his inconsistencies, lies and demands, maybe he could have constructed a life before it was too late... perhaps. Yet, his world was a clearly a superficial one where people took advantage of the money Andrew was willing to lavish on them and his 'keepers' too were selfish enough to believe they were simply paying for human product -- to be disposed of when no longer what they wanted. This is one half of the pathos of Andrew's story, his own creation of reality and his self-centered sense of entitlement the other half.Indiana work is readable; it provides an interesting scenario, yet doesn't examine much of the social and individual pathology that could have created this tragic human being.Indiana instead instead seems to relish in his own obvious enjoyment of freely filling in the blanks. Indiana writes a bit too much for his own ego and enjoyment. He enjoys his use of words unknown to the average reader and uncommonly used in our language and seems to use this technique with an air of arrogance.While some of Indiana's earlier fiction has been truly hysterically funny, I believe he has crossed the line with 'Fever' in believing he has created some new genre of writing and in engaging in self aggrandizing writing within frames of truth and fact. There is far more imagining in this book than Indiana even acknowledges. His 'non-fiction' contains no citations and he has granted himself free license to write whatever he wants about the tradgeies Andrew Cunanan brought upon this country and the individuals and their families he destroyed during his "three month fever."
I found this book to be a facinating expolration of the gay ghettos of San Diego and San Francisco and the men who live in them. Indiana follows Cunanan through his voluntary isolation in the ghetto to the logical conclusion of Cunanan's self imolation stemming from his increasing loss of contact with reality. Beginning with almost harmless white lies, Cunanan became intangled with more and more complex lies that resulted in his inability to escape the isolation of his own self fabricated world. Trapped by outside forces in the gay ghetto and trapped by his own inability to either perceive or represent to others any reality that could have grounded him, Cunana struck out and killed those he loved and those he encountered in his final downward spiral. The focus on Cunanan and not Versace is refreshing.
All of your opinions are valid, but your unjustly putting this book of fictionalized reality into a catagory it has no interest in competing in. Indiana is a sharp satirist with the ability to make connections bwt Cunannan's murder spree and America's compulsion to consume everything about death and destruction as edu-tainment. If anything, the reason so many were annoyed but the lack of 'facts' in this bok, isbecause they are the audience Indiana is skewering. PS - As for facts, the 'other' book, "Vulgar Favors" is worse. Orth is a hollywood wife with a vivid imagination and bias against sexual exploration. Her book is way more fabricated then this and is passed off as journalism.
This book is definitely not for the reader who seeks facts! This book is mostly based on author point-of-view and opinion. I was mislead into thinking that this book consisted of factual information pertaining to the Cunanan killing spree, only to find that the author has simply recreated the story, placing himself into Andrew Cunanan's mind. I rated this two stars due to that a fiction reader might find this book interesting, but CERTAINLY not a fact-seeker. I recommend Maureen Orth's book, "Vulgar Favors" HIGHLY over this book.
This book is nothing more than a sickening sham. Where did the author get the idea to fabricate most of the book? Indiana seems to glorify the murders. What about the family members of those who were killed? This book is like a sick and cruel joke. If you are going to write a "true crime" book, at least make sure you are dealing with facts.
Mrs. Tim Russert can go peddle her papers elsewhere. This is the definitive Cunanan book, a penetrating commentary on gay life today and a skillful analysis of what the "mainstream" has made of it. Those looking for relief from the non-stop nonsense provided by 24-hour cable "news" shows need look no further than Gary Indiana.
Indiana's pretentious prose andsidebars convinced me he is smartbut I want to know about Cunnanannot Indiana. I would give it aC- im my fresh comp class, maybe agrade higher in creative writing.buy Orth instead
There are good things and bad things you can say about this book, but you must agree: it has one of the best last lines ever written.
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